#those are all made with speculation

[sokayisaidiot]

Siblinghood, Platonic Soulmates, or Romance

Analyzing the Relationship Between Ezra Bridger and Sabine Wren

In this post, I will continue from my previous one, having offered a simplified overview but delving into one of the most common criticizing talking points. Please remember that this analysis is from a writing perspective and my own experiences as I am an amateur writer. I welcome comments and reblogs with your thoughts.

For context:

1. Relationships in Star Wars 2. Explanation of These Three Types of Relationships 3. Female Characters in Relationships 4. Ideals and Themes in Star Wars Rebels 5. Ezra and Sabine's Relationship 6. Conclusion

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Relationships in Star Wars

Critics sometimes claim that certain types of relationships are overrepresented in Star Wars, but it's essential to remember that the franchise features a variety of relationship dynamics. Here are some well-known examples:

Siblinghood:

- Luke and Leia (twins) - Ahsoka Tano and Anakin Skywalker (no blood) - Garazeb Orrelios and Ezra Bridger (no blood) - The Son and Daughter (literal Force beings) - Sabine and Tristan Wren (blood relatives) - Maul, Savage Opress, and Feral (same planet)

Platonic Soulmates:

- Han and Chewbacca - R2-D2 and C-3PO - Boba Fett & Fennec Shand - Din Djarin & Bo Katan Kryze - Chirrut Imwe & Baze Malbus

Romantic:

- Han Solo & Princess Leia - Anakin Skywalker & Padme Amidala - Obi-Wan Kenobi & Satine Kryze - Kanan Jarrus & Hera Syndulla - Bail & Breha Organa

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Each relationship explained and how to write it

Siblinghood

Definition A sibling is a term used to describe a brother or sister, which means they share at least one biological or adoptive parent. Siblings are individuals who are part of the same family and are connected through their familial relationships.

Writing points

Individuality: Portray each sibling as a unique individual with distinct traits.

Birth Order: Consider birth order dynamics and how it affects their roles.

Conflict and Love: Explore both rivalry and support in their relationship.

Shared Memories: Use shared childhood memories to deepen their connection.

Complex Emotions: Show a range of emotions, from love to resentment.

Character Development: Use their relationship to drive character growth.

Realistic Dialogue: Make their interactions and dialogues authentic.

Backstory: Develop a backstory with shared and separate experiences.

Conflict Resolution: Show how they handle conflicts within the relationship.

Evolution: Depict how their relationship changes over time.

External Influences: Consider how outside factors impact their dynamic.

Platonic Soulmates

Definition The term "Platonic soulmates" combines two concepts: "Platonic" and "soulmates."

Platonic: In the context of relationships, "Platonic" refers to a non-romantic or non-sexual connection.

Soulmates: It's a belief that there is a special, deep, and sometimes predestined connection between two people that goes beyond ordinary friendship or partnership.

When you combine these concepts, "Platonic soulmates" refers to two individuals who share an exceptionally close, deep, and meaningful non-romantic or non-sexual bond. They may have a connection that feels almost destined, as if their souls are deeply intertwined, but it doesn't involve romantic or sexual attraction.

Writing points

Unique Bond: Highlight the exceptional and non-romantic connection they share.

Common Values: Emphasize shared values, interests, and life goals that deepen their bond.

Unconditional Support: Show their unwavering support, trust, and emotional safety.

Enduring Relationship: Illustrate how their bond withstands time and challenges.

Conflict Resolution: Explore how they handle disagreements with maturity and empathy.

Growth Inspiration: Demonstrate how they inspire personal growth in each other.

Non-Romantic Nature: Clarify that their connection is platonic, not romantic.

Emotional Depth: Dive into their deep emotional connection and comfort.

Shared Moments: Highlight significant life experiences they've shared.

Respectful Boundaries: Show how they respect each other's boundaries.

External Influences: Consider how external factors affect their connection.

Remember that platonic soulmate relationships are diverse and can manifest in various ways. They provide an opportunity to explore deep emotional connections and the profound impact such connections can have on individuals' lives.

Romantic

Definition In everyday conversation, "romantic" is often used to describe anything related to love, affection, or relationships. It can refer to someone who is inclined towards love and affection or to something that evokes feelings of love and beauty. The exact meaning of "romantic" can vary depending on the context in which it is used.

Romantic Love: Deep emotional affection, attraction, and passion between two individuals, forming the basis for relationships like dating, courtship, and marriage.

Romantic Relationship: A partnership based on romantic love, including dating, committed relationships, or marriage, characterized by emotional closeness and physical affection.

Romantic Gestures: Actions expressing love, affection, and admiration in romantic contexts, such as giving flowers, writing love letters, or planning surprise dates.

Romanticism: A cultural movement originating in the late 18th century, emphasizing emotions, individualism, and the sublime in literature, art, and philosophy, often celebrating nature, imagination, and powerful emotions.

Writing points

Chemistry and Attraction: Establish a strong attraction between the partners.

Character Development: Use the relationship to develop and evolve the characters.

Conflict and Tension: Introduce challenges to make the relationship engaging.

Communication: Show effective communication and miscommunication between partners.

Shared Moments: Highlight meaningful experiences they share.

Individual Lives: Balance their personal lives with the relationship.

Trust and Vulnerability: Explore trust and emotional openness.

Intimacy: Address physical and emotional intimacy.

External Influences: Include the impact of outside factors.

Conflict Resolution: Demonstrate how they handle conflicts.

Long-Term Compatibility: Consider their compatibility for the future.

Realistic Challenges: Create believable obstacles.

Romantic Gestures: Showcase meaningful acts of love.

Character Flaws: Develop imperfections in the characters.

Resolution: Provide a satisfying conclusion to their relationship arc.

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Girls in Relationships:

This section explores how certain female characters in Star Wars maintain their own identities while being involved in romantic relationships.

Padmé Amidala

Character: It might be considered a bold choice, but as Dave Filoni is known as the TCW and SWR guru, I genuinely appreciate Padmé's character. She embodies the spirit of self-reliance, often adopting the motto, "I'll handle it myself," when she witnesses suffering. As a compassionate and principled member of the Senate, she values diplomacy over violence, serving as a commendable role model by prioritizing dialogue and care for others. Her character shines brightest in episodes where she grapples with political conflicts.

Romance: Transitioning to the subject of her romantic involvement, Padmé and Anakin's relationship has sparked numerous discussions. Despite the uncertainty and occasional turbulence, there is genuine love between them. She envisions a future with him, refusing to give up on him even in the face of his inner struggles. Padmé recognizes Anakin's mental anguish and does her utmost to support him, though the complexities of their circumstances often double their challenges.

Ahsoka Tano

Character: Ahsoka stands as one of the most well-crafted female characters in Star Wars lore, undergoing significant growth and development throughout The Clone Wars (TCW). She evolves from an overconfident and naive child into a mature, thoughtful, and highly respected adult. Her journey is marked by substantial mistakes and profound realizations.

Romance: While Ahsoka experiences various connections throughout TCW, the most notable is with Lux. However, this romance primarily serves as a vehicle for her character development. Lux provides her with insights into the Separatists' perspective on the war and later the Death Watch. While Ahsoka does express interest in him, it's not in a deeply romantic sense. Instead, she's appreciative of the knowledge and experiences gained from their interactions.

Leia Organa

Character: Leia, our first main character introduction, immediately captivates with her compelling beginning. She's taken captive but never succumbs to fear, displaying strength and resolve. Her resilience shines through as she becomes one of the Rebellion's leaders, commanding respect from all quarters. She remains unyielding in her role, displaying a fiery temperament and quick wit reminiscent of her father, while proving to be even more resolute than her brother, a Jedi.

Romance: The iconic romance between Leia and Han Solo portrays the smuggler and the princess in a refreshing light. Instead of conforming to outdated stereotypes, Leia wears the metaphorical pants in their relationship, with Han providing unwavering support. He respects her position and authority, saving personal matters for their private moments. The dynamic is built on trust and mutual respect, avoiding the cliché of a one-sided romance. Notably, this is evident in Return of the Jedi (ROTJ), where Leia gets shot, and Han's caring demeanor is juxtaposed with his trademark smirk as she reveals her weapon. He's the one to express his love, illustrating the mutual affection and growth of both characters.

Hera

Character: Hera serves as the capable captain of the Ghost and its crew, supported by her right-hand man, Kanan, and the astromech droid, Chopper. Despite being a mother, she remains a crucial figure in the New Republic, leading missions and flight teams. Hera defies convention by maintaining her position of power while nurturing a romantic relationship with Kanan.

Romance: In contrast to traditional depictions where women are often portrayed as pining and emotional while men are serious, Hera and Kanan's dynamic reverses these roles. Kanan actively pursues the relationship, while Hera takes on a more serious and authoritative role. This unconventional approach adds depth to their relationship and challenges traditional gender norms.

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The Ideals of Rebels' Story and Its Setup Points:

Both the Star Wars Prequels and the Original Trilogy are anchored in the theme of battling oppressive regimes striving for absolute control. The Prequels delve into how this oppression came to be, forming a pivotal narrative standpoint. In contrast, The Clone Wars (TCW) primarily focuses on world-building, offering in-depth explorations of various factions and societies within the galaxy. While TCW provides a comprehensive view of the galaxy during a civil war, it doesn't follow a single large crew's story.

On the other hand, Star Wars Rebels (SWR) places a character-driven focus at its core. Unlike some other Star Wars media, such as movies, series, or shorts, SWR doesn't extensively explore different locations or delve into background storytelling. Instead, it prioritizes character development and episodic narratives.

To clarify my previous statement, SWR serves as a bridge between Episode 3 and Episode 4 of the Star Wars saga. It fills in the gaps, revealing the journey and sacrifices necessary to achieve freedom. The series commences with Ezra, a newly-minted Jedi Padawan, in a galaxy where Jedi are hunted down. He joins the nascent rebellion, which is just beginning to take shape. Ezra represents a glimmer of hope in a desolate world, even as forces of darkness attempt to extinguish that light.

This underscores the significance of SWR. Episode 4 depicted the Rebellion in its full-fledged form, with a substantial crew and support from multiple fronts. However, SWR sheds light on the challenges and sacrifices that made such achievements possible. It demonstrates that what was accomplished required immense personal sacrifice.

The Jedi aspect is exemplified through Kanan, who embodies the essence of a true Jedi. Ezra, too, matures into this role over time. Kanan's journey is unique; he was in the midst of his Padawan training when Order 66 unfolded. He never completed his training in the traditional sense and couldn't fully embrace the Jedi rules and traditions, which often felt restrictive and suffocating. Unbeknownst to him, his love for, attachment to, and bond with his lover, Padawan, and the rest of the crew went against traditional Jedi norms. However, this deviation allowed him to learn things the Jedi should have known centuries ago. Kanan eventually felt the full embrace of the Force, despite his past mistakes and moments of foolishness. He ultimately met his end as a true Jedi Knight.

As for Sabine, her character's growth and journey revolve around taking responsibility for her past mistakes and evolving into a stronger individual. Her journey includes abandoning the Imperial Academy, which produced weapons harmful to her people. This decision placed her family in jeopardy, with the majority of Mandalorians harboring animosity towards her. Despite these challenges, she emerged stronger with the support of those around her and a willingness to confront her past without forgetting or ignoring it.

The relationship between Ezra and Sabine in SWR was intentionally left ambiguous, making it challenging to definitively categorize. While the series provides hints through Ezra's statements, it remains open to interpretation. The internet, as expected, has embraced the ambiguity and given rise to various interpretations, showcasing the power of fan engagement and ship culture.

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Ezra and Sabine, Examined from Every Angle:

This section breaks down how each of these interpretations aligns with the characteristics of these relationship types.

Siblinghood

Individuality: With Siblings, there come different personalities. One can be chaotic and the other calm. That’s what we see in that case what can be considered normal in a family. You have the artistic child with her younger brother being more traditional and following his father.

Birth Order: This being one of the strongest arguments with this relationship. It’s for many great to see nonblood people considering each other as found family, where in situation where one lost their family or their family was not good, there are still others that are as close as those you share blood with.

Conflict and Love: This is more of a thing that can be seen with the training of the dark saber, in which the one sibling, who is good at something, that they consider their specialty, having to have share it with the other, as they see it being taken away or provoking the other as they think they are better at something.

Shared Memories: Both have abandonment issues over their family, and they share a lot of missions together.

Complex Emotions: Once again going back to the dark saber training, you could interpret that scene where Ezra is saying that Sabine at least still has family, while he has only one family left, that she is not respecting

Character Development: This can be interpretation for the end of rebels

Realistic Dialogue: A lot of people regard them bickering as sibling bickering

Backstory: In the start, it is implied that with Zeb, she is one that takes him under her wing as a older sister role

Conflict Resolution: They talk to each other

Evolution: It can be them growing older and seeing each other as equals

External Influences: within the ghost crew, they consider each other as family. Hera especially, so its easy to take this as it can be seen that every member implies it for themselves.

Platonic Soulmates

Unique Bond: They are not really romantically nor as siblings introduced in season 3 and 4

Common Values: Both want to free their respective people, destroy the empire and find a place in the galaxy.

Unconditional Support: Within the end, Sabine never states to be romantically involved but she does stay on Lothal, keeps his memorable things in check and waits from him to return.

Enduring Relationship: Both are willing to entrust each other to a lot of things and giving each other the chance to make things happen.

Conflict Resolution: They talk.

Growth Inspiration: Within the season 1 and 2 where Ezra constantly flirts openly to Season 3 and 4 where it is not seen as a romantic way.

Non-Romantic Nature: Barely Romantic gestures of touch in the traditional sense or talking about the feeling to each other, but in a respectable comrade way.

Emotional Depth: Their connection through their past and need to make better of their mistakes while helping each other out of those.

Shared Moments: Their missions

Respectful Boundaries: With Ezra stopping the flirting to concentrate and help Sabine

External Influences: The ghost crew being a close family through common goals and connection gives them a more bigger leeway

Romantic

Chemistry and Attraction: It is clear that Ezra still has an crush on Sabine, with him meeting her for the first time, being enamored with her beauty. Their chemistry is working and expendable. Sabine later is more open for more.

Character Development: From the young kid who has a crush with no real idea to an jedi that keeps it low to fulfill his duty, Ezra evolves within 4 seasons to a more mature way of admiring Sabine while having respect for her. Within the episode where Kanan and Sabine 

Conflict and Tension: From the end of rebels, where Ezra sacrifices himself to keep his loved one self but leaving Sabine alone and confused to Sabine not listening to him when he tells her to or when she does not give him a lot of decision power over her.

Communication: Sabine not being able to trust anyone really to her getting the closest to Ezra for even supporting him on way to dangerous missions and Ezra 

Shared Moments: From the intimate closeness of holding him by his waist to fly to safety, to him keeping her steady on the loath wolves and both refusing to let the other get hurt.

Individual Lives: When it comes to Krownest, Sabine splits up for a little while, when Ezra takes on other missions. They know when they have to do something alone and they have their own bigger problems in the end.

Trust and Vulnerability: Within the later seasons (3 and 4) Sabine opens up to Ezra about her own Demons and gives her full trust to him. Both can depend each other’s live on the other. But when it comes to

Intimacy: Sabine has no problem holding Ezra closer while Ezra still gets flustered a bit(speaking escape Jetpack scene). But other than that they have no problem being closer.

External Influences: Both Chopper and Zeb have been making fun of Ezra and Kanan is aware to some known extend as he has to be the done calming Ezra down, when Sabine is in a Dangerous situation.

Conflict Resolution: On the battlefield its Sabine being the aggressor and Ezra the shield. With other conflicts, it is that Sabine needs time to herself and Ezra worrying but respecting her needs.

Long-Term Compatibility: Sabine cannot imagine a life without Ezra in it and Ezra has stated that he wants to come home to her (as well as the others).

Realistic Challenges: Sabine knowing that 10 years have gone by since Ezra disappeared and still being ever so loyal to him. Ezra, while knowing Sabines competence, still often not wanting her on solo missions.

Romantic Gestures: The Birthday gift from Sabine. The consistent support of Ezra. 

Character Flaws: The way they cannot see other one in pain and taking full front and lying in front of the other.

Resolution: They give each other full trust on the final mission with Sabine on her way towards him.

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Endcut:

In summary, this post aims to offer multiple perspectives on the dynamic between Ezra and Sabine, emphasizing that all three interpretations are valid based on the available knowledge.

Please note that this is a complex analysis, and the nature of their relationship remains open to interpretation.

[hiding-under-the-willow]

Okay so I need someone who's better at landscapes and art style replication than I am to hop on this idea. because this man and his alien planet biome and storyline were made for the scavengers reign art style fr

[freakbullet]

cant believe when im consuming deltarune theories i have to sit through takes like "yeah I guess ANOTHER HIM sounds kinda like gasters theme but theres no proof" or "yeah people assume the intro narrator is gaster but we dont actually know"

like do yall need Toby to spell it out in big block letters for you?

OH WAIT. HE DID.

[youthofpandas]

In honor of getting a new Sinclair after 5 months, I have made the certified Ultimate Sinclair Gender Power Point Presentation that has at least a small amount of my thoughts on Sinclair gender. Featuring a lot of evidence that I might spend too much time thinking about this.

[tinteduse]

the warvel comic (og)

[somuchbetterthanthat]

There are several posts I want to do about the office dynamics in Protocol, but I think as a summary, beyond "fascinating", i'd say that I'm amazed that three episodes in, we've already got such a nuanced idea of how they all navigate with one another.

The first impression we get from Episode 1, for example, is that Alice and Colin get along, possibly that Colin actually genuinely likes Alice ("Ha. Tell Alice it's funny."), and in contrast to how Alice and Gwen snip at each other, you want to immediately make them a "pair" (not at all in a romantic sense, just in a "oh they're the Friends" here).

But episode 3 shows that it is more nuanced that that -- yes, maybe Alice and Colin like each other on the surface, but Alice is ready to go behind Colin's back for the work, which shows us they're colleagues who are friendly, and not friends per say. Doesn't mean Alice wants the friendly relationship to disappear, since she asked Sam to go on about it rather than do it herself, because she doesn't want to antagonize Colin, or loose that connection between them, but it's obviously a very different relationship that Sam and Alice, who are friends who happen to be colleagues now, where Sam can casually tell Alice /nope, not going along with that/ and Alice readily goes /fine/ and doesn't push the matter.

I think Teddy amplifies the idea of the difference between a friendly colleague you like and a friend pretty well in ep 1. Teddy says even though he leaves they can all still hang out together, and Alice is hesistant when she agrees, the conversation trailing off. And like. Yeah. That often what happens, isn't it? You are at a job and you really like your colleagues, you guys do friendly stuff together, but when one of them leave the job, or you leave the job, you might catch up a couple of times with them at the beginning, but then, well, they've got a new colleague, you've got a new job, life changes, and suddenly the link is... Broken. Not because you didn't like each other! But because work was keeping you glue together. (Kinda the same thing that happens with a lot of school friendships).

I was initially taken aback by Alice asking Sam about 'her favour', but now I'm like. Yes. This is how it works in office spaces sometimes, isn't it? There are people that you like, but there is also work, and the line constantly blurr on what you think is best and the genuine connections you might want with the people you work with. Also, admitedly, Colin DOES Behave wildly enough that it's not like Alice could really talked to him about central IT. Or, rather, presumably she tried several times and it's clearly not happening so you need something to shake the status quo.

BUT ALL OF THIS TO SAY, I'm fascinated by Alice "Oh we're all a big family here" Dyer, by Alice "Just Do the Job and Do Not Care About the Cases" Dyer, about Alice "Yes yes I was born here and i'll die here" Dyer, about Alice "Oh It's Not So Bad Here" Dyer. She makes a big show of being unbothered by everything that happens, breezing through and just doing the 'bare minimum' to get paid at the end of the night, but I'm getting the feeling she's actually extremely attached to this job, the same way Gwen is, and even the people here too.

[burinazar]

happy mother’s day

[dr-shortsighted-owl]

FROM

The first time Buck meets Chris being after driving Eddie to Chris’s school post-earthquake, watching them reunite from the jeep through the school’s glass doors - knowing Eddie had been so worried about the son he adores

TO

the potential of the final being an earthquake, the boys all worn out; recovering together on Eddie’s couch in their little respective areas of the cushions they’ve chosen over the years, Chris between them - no glass doors, no barriers now - truly realising they’re a family

[ex0rin]

Pike & Boimler | Strange New Worlds: Those Old Scientists

+BONUS!! La'an fresh off from having fucked Kirk while time travelling recognizing That Look ™️:

[magpie-trinkets]

APOLLO JUSTICE REFERENCE? IN MY TGAA GAME?

SAME ARM AND EVERYTHING?

[tinynap]

I guess I'll just always be a little skeptical of someone who purposely kept what happened vague and purposely misconstrued what actually happened so that everyone would assume the worst.

this is fair and i think important to mention like a lot of caiti's original statement used language that was pretty vague that caused a lot of uproar and future clarifications from her and ghostie following george's response kind of came across as still trying to make him seem like the bad guy ? if that makes sense ? but i do want to make it clear that i support caiti in her feelings she is valid in them i just don't agree with how she's going about trying to have them resolved and i think ghostie's way of supportign her through it is not good 👍

[uselessnbee]

everyone understands that Will had a hard time helping El and standing up for her because he himself has trauma from being bullied his whole life and doesn't know how to fight them back, his reaction to bullying is to freeze. but suddenly no one understands it when it comes to Mike and he's just called an asshole for not being able to stand up and fight El's bullies

i'm not saying he is innocent and did nothing wrong. he could have done more and just handle the situation better but he was just too focused on Will and was in his head and being the otherthinking oblivious dumbass that he is

but just imagine your girlfriend tells you she is having a good time and has friends, she does not mention anything bad and then suddenly she's getting bullied in front of you. when you've been bullied your whole life your first reaction is to freeze, to panic and just wait and hope it passes quickly and they'll leave you alone. Mike did not have any knowledge about her bullying or having any kind of problems, as long as he was aware those people were her friends. he himself has trauma from being bullied (he literally mentions it later on why yall keep forgetting??) and being suddenly thrown into a situation involving bullying can be really distressing.

when you have experience with being bullied even just seeing someone else getting bullied can make you freeze up and panic. and we know that Mike does not stand up for himself when he's the victim. even when you're not on the receiving end of the bullying but you just see it happening and suddenly you're a scared little kid again holding back tears desperately hoping for them to leave you alone.

and i know everyone wants to yell at me "you forgot about Mike standing up to Troy when they were saying shit about Will! so he can obviously stand up for his friends so why can't he for El??" and no i did not forget and yes you may be right but the situations are different. Mike was very well aware of Troy's bullying. he was involved in it. he was the victim there. he's had to deal with his bullying for years it was not a shocking revelation. however he did not know about El's situation at all and your reaction can be very different when you know about something and when you have no knowledge and it suddenly happens

again i'm not saying that he did nothing wrong. i'm just saying that we need to consider his trauma and his point of view and it could make him think less rationally and therefore not being able to help properly. maybe if he knew beforehand that something could go wrong he could be prepared and he would handle the situation better (even if it would be just them seeing Angela and her friends come and they would turn to Mike and say quickly that those people are mean to El he would still have at least some time and could prepare himself). but he did not know that and he was not prepared for this situation to suddenly escalate like this. he was unprepared and probably panicking and didn't know what to do so no he wasn't much of a help.

and maybe we should stop acting like this traumatised 14 years old kid needs to solve every problem and act rationally in every situation and not to make any mistakes (especially when he has no knowledge to prepare him for something distressing) and overall just putting everything on his shoulders and then insult and hate him when it does not end up perfectly well

and maybe i'm just being my overprotective extremely defensive self who's looking too much into this who knows

and i can't even properly put into words what i'm trying to say but if it makes sense to someone then great!

[aggressively-crying]

Watching dunmeshi. I understand why everyone gets the senshi tulpa now.

[orcelito]

Oh, that was MEAN!!!!!

Just finished ep 413, aka the end of the filler chunin exams arc. It did offer a reasonable explanation for how it wrapped up so quickly (third exam canceled bc of circumstances), as well as how so many of them managed to reach chunin (in lieu of the 3rd exam, detailed reports were given for each of their performances, which Tsunade used to promote them all)

THE ENDING THO...

Somehow I didn't realize that Ajisai was the girl that became the summoner Pain for the attack against Konoha. Not until they showed Konan giving the girls an S class mission (for their first mission as chunin????) & it started on the next scene with the guys lugging the body in. I just felt my heart Sink... it was rly sweet to watch Ajisai bond with Tenten & grow to accept that ppl from the big nations aren't all full of themselves and all. And then Ajisai is fucking DEAD!!! Konan, why?!?! And what happened to the other 2?!?! Implied dead too probably, considering they were on the mission together... aughhgh it's so sad

AND THEN FUU BEING CORNERED BY KAKUZU AND HIDAN..... which I actually hadn't realized that Kakuzu was from Taki as well, mostly bc I hadn't really registered his headband. So it was interesting to hear a bit about his past with what Fuu said about him. But it was also rly sad bc she was all "I'd like to become friends!" To him too. Which maybe it was partly an act, but she was also very focused on making friends throughout the time we knew her. Which makes me so sad 😭😭😭 bc she definitely did lose that fight, even though we didn't see it. Such a sweet soul, lost to plot progression... augh!

AND THEN!!!!!!!! The scene with the Konoha genin being promoted to chunin and Neji to jonin. Tenten and Lee being like "we'll always be a group of three!!!" And Neji being like "Yeah... I do hope so." BUT THEN KISHIMOTO KILLS HIM OFF FOR ROMANCE PROGRESSION!!!!! And not even good progression!!!!!!! Just to push Naruto and Hinata together. Just spit on his corpse why don't you, Kishimoto. Ngl im still mad he killed Neji. It was such an insult in so many ways.

Anyways I finished the filler arc, which means it's back to main shit now. I'll probably keep watching later tho. Oh no naruto and sasuke are dying!!! What else is new lol. They'll get better 👍

I Am looking forward to seeing Guy beat up Madara... I am episodes away from that iconic fight now... excited...!!!

[chloecherrysip]

Absolutely nothing can stop Mario now. He's fought his way through the airship, he's found Luigi in the middle of a jailbreak, and he's finally about to reunite with his brother. What could go wrong?

Bowser happens to be nearby, though. And he's just had an epiphany about his new foe's biggest weakness.

(Alternatively: A Hypothetical Version of Mario & Luigi's Reunion in the Mario Movie That Would Cause Me Irreparable Psychic Damage.)

(I decided to clean this up a little and post it on AO3 too! A slightly rougher version is still available here on tumblr, but if you'd prefer this format, here you go!)

[waywardsalt]

oh yeah i’ve got a bunch of loz aus that i haven’t really talked about. a few of them are listed and slightly explained in this poll and explanation reblog but i haven’t gone out of my way to actually list the aus i have and really explain them. so that’s what this post is for. here are some... decently simple explanations of my major aus and what they're generally about

i have two kinds of aus: original aus (loz aus that are set in their own kinds of worlds with their own stories and twists on character roles) and then crossover aus (we all know how this works i just mash loz and a thing i like together)

original aus: (many currently dont have actual titles, so the titles will often just be concept shorthand)

in the court of the crimson king/crimson king au: probably the most developed and closest to being written out. it's got one of the longer premises; set in a industrial-esque hyrule city, following linebeck as the main character, as the adoptive older brother of link and aryll, living with them and their grandmother as the only one able to reliably make money to pay for rent and food, leaving every other week to do jobs, but he moonlights as the 'demon of the gray moon', a masked persona he'd created as a child that had long since become a city-wide urban legend, anonymously taking unsavory jobs from whomever can contact him and offer pay, often working directly for bellum, a childhood friend, the one who enabled and trained him to become the demon, and one of five anonymous leaders of the city. linebeck effectively lives a double life, and tries to stay out of too much trouble to avoid drawing attention to himself or making his adoptive family worry, but he gets dragged into more and more danger as bellum becomes curious about the identities of the city's other leaders, and linebeck falls in love with a man named ganondorf, suspected to be one of those other city leaders. ive got a few posts related to it already: this one being another vague concept descriptor, this one being an actual scene i have written out.

'gimmick' au: i cannot explain the gimmick without spoiling the au. put simply, in this au, hyrule as a whole has been at war for ten years, every race and kingdom taking sides in a conflict that seems to be going nowhere. link joined the hylian army young, and has made his way up the ranks to become trusted by queen zelda herself, and things in the war take an interesting turn as he and zelda discover a new faction, unaligned with any particular kingdom and with unknown motives, and zelda decides to set out to the different parts of hyrule, link and a chosen group of trusted allies in tow, intending to try negotiation one more time before things take a turn for the worse.

sci-fi/space au: the fun one that probably would need to be done in a visual medium. it takes place in a solar system of a few planets, link growing up on the planet hyrule and occasionally traveling to the others as a knight specializing in investigating and taking down dangerous bounty hunters, working for zelda as a friend. he and zelda uncover a plot by the yiga clan to accumulate a number of highly dangerous research and weapons held by each species as they aim to resurrect a demon to wreck havoc on the solar system- the b plot being about the top bounty hunters in the solar system screwing around, eventually colliding with link and zelda's a plot as it begins to involve them.

murder mystery(?) au: one of the older ones, maybe one of the oldest that i still stick with. this might actually be one of the first ones i tried writing. the plot begins when zelda returns to hyrule city years after her father- the former mayor- was murdered, finding that he has been replaced by ganondorf and that while things seem fine enough on the surface, random and organized crime run the show, and she begins a private detective agency as 'sheik', a masked young man, and with the help of impa, and old friend and confidant, she moonlights as sheik and uses her daytime identity as zelda to help chip away at some of the city's biggest problems and finds herself drawn into a long string of murders that appear to be anything but random violence.

ruined hyrule 1: i have two au’s with the premise of hyrule being ruined. neither of them have more specific names yet. this one begins with the majority of greater hyrule's population having long since locked themselves in hyrule castle town in order to escape the increasingly dangerous wildlife. zelda, a young girl at the beginning, becomes curious about what lies beyond the city walls, and makes friends with many other children within this sheltered hyrule, and as they grow up together, aim to eventually venture out into the wilderness to see what may have caused the outside world to become so incredibly hostile.

ruined hyrule 2: the other ruined hyrule. set in a devastated hyrule, roughly ten years after the royal family was killed, link failing to save them or hyrule in the time since. he now resolves to set out and indiscriminately destroy every demon that plagues the ruined hyrule, meeting and bringing along various allies, each of which has been uniquely affected by and have different lived in this altered, dangerous shell of hyrule.

modern (school): i also have two modern aus. this one isn’t plot driven, just a concept i have, would work best as little vignettes or something. essentially just the idea of a group of loz characters hanging out together in a modern high school (or college?) setting.

modern: this is the one with an actual plot. follows the general idea of zelda characters living in a modern world only for the typical legends to begin resurfacing and heralding dark events. plot specifics are murky, but that's the general idea.

dark mage: this is the au that where the seas meet the sands takes place in. basically just ganondorf x linebeck shenanigans in this alternate hyrule while actual plot sneaks up on them. named 'dark mage' mostly because the initial idea behind this au was that linebeck would learn magic.

horror au: doesn't have the best name, and it's ended up just being a personal sandbox for me. constantly changing, with the cast and setting often altering if i find that something isn't working or sticking. it's an au i've considered (and even briefly tried) writing in the past, but it's still too fluid, and writing horror effectively is difficult. it's a fun au, though.

mecha au: spawned because i watched neon genesis evangelion. a lot of this au's basic concepts can be found here: x but the short version is that hyrule is being besiged by massive monsters, but each race has created their own mechs to combat them. link is just a farmer who happens to have a strange knack for being a mech user, so is brought in by zelda as a gamble to bolster their chances, and he is tasked with working with a new and less-than-trustworthy crew to help fight those monsters.

'amnesia link' au: an au that sprang up in about a day and hasn't gotten too far since. basic premise being that three years prior to the story, link and a group of allies has faced off against ganondorf and, despite their best efforts, lost, with link being presumed dead by their enemies. now, link has woken up from his coma, his memories gone and hyrule taken over, and, with guidance, must once again travel across hyrule, aiming to rediscover his allies and try to face ganondorf once more.

A quick list of crossovers: I won't explain these in length, since they can range from having their own plot to just being a fun mental concept. So, the things I have made crossover aus with are:

Warrior Cats

Batman

Jojo's Bizarre Adventure

Persona 5

Pokemon

(there are other, smaller ones, these are just the ones i consistently pay attention to)

So! These are the majority of my legend of zelda aus, some of which I may write, some of which just exist in my mind for fun, all of which I wouldn't mind talking more about if anyone is curious!